Endnotes for Timeline
Endnotes for Satire
Endnotes for Newspaper
Endnotes for Movie Scene and Dialog
Endnotes for Poem
- I took some of the occurrences of Sor Juana`s life, more specifically years 1673, 1676, 1680 and from the webpage of the institutional educational organization of Oregon (oregonstate.edu), I did not quote any of it directly.
- I also took some facts for my timeline in which I mentioned several plays Sor Juana wrote, specifically in years 1683,1688, and 1689 from the book "The Three Secular Plays of Sor Juana Inés de la Cruz: A Critical Study" by By Guillermo Schmidhuber. Mostly from pages 107 to 120.I did not quote any of it directly.
- I took some information for my timeline from a professional development collection written and published by Julie A. BokserI known "Sor Juana's Rhetoric Of Silence." to help me elaborate years 1690 to 1694 from my timeline. I did not quote any of it directly.
- I took information in my timeline, specifically for the first four years, from the book "Feminist Perspectives on Sor Juana Ines de la Cruz" by stephanie Merrim. I did not quote any of it directly.
- I took some information for my timeline, also to elaborate years 1690 to 1694, from Sor Juana`s "La Respuesta" which was translated and made into a book by Electa Arenal and Amanda Powell. Utilized most pages 10-15 and did not quote any of it directly.
Endnotes for Satire
- I took some information about Sor Juana`s point of view according to feminism as inspiration to write my feminist satire from the book "Feminist Perspectives on Sor Juana Ines de la Cruz" by stephanie Merrim. I utilized most of the information portrayed on page 35-42 and did not quote any of it.
- I took some information about the format of Sor Juana`s satires to write my own from the book "Poems, Protest, and a Dream" published by Penguin Classic and written by Margarat Sayers Penden, and introduced by Ilan Stavans. Utilized mostly pages 10-13 in which the author displays a passage of Sor Juana`s reasons for have written satires. Did not quote any of it.
- I also took some information about Sor Juana `s feminist point of view as inspiration from one of the poems she wrote "Hombres Necios" translated to english by Catherine Boyle with the title of "You Foolish Men". Did quote one of its stanzas as an introduction to the page and identified it was her own words.
- I also took some information about sor Juana`s feminist persepectives and movements from the book "Sor Juana Ines De La Cruz: Religion, Art & Feminism" by Carolyn M. Craft. Utilized information from pages 28-36 and did not quote any of it.
Endnotes for Newspaper
- I took some information for my newspaper to write about "The Letter Worthy of Athena" and "La Respuesta" from Sor Juana`s "La Respuesta" which was translated and made into a book by Electa Arenal and Amanda Powell. I utilized mostly pages 12-15 and did not quote any of it.
- I also took some information from my newspaper to write a little bit about Sor Juana`s life and background story from a famous professional development collection known "Sor Juana's Rhetoric Of Silence." written and published in 2006 by Julie A. Bokser. Did not quote any of it.
- I took some information for my newspaper from the introduction to Sor Juana given by John Charles Chasteen in his book "Born in Blood and Fire: A Concise History of Latin America." Utilized only page 24 and did not quote any of it.
- I also took some information for my newspaper from Sor Juana`s text "House of Desires" translated by Catherine Boyle in which Sor Juana describes her unfulfilled social desires. Utilized mostly pages 14-18 and did not quote any of it.
- I took some information for my newspaper from the book "San Jerónimo En El Eje De La Polémica En Torno De La Carta Atenagórica De Sor Juana Inés De La Cruz. " translated and written by Fernando Riva. Utilized mostly pages 9-12 and did not quote any of it.
Endnotes for Movie Scene and Dialog
- To elaborate the movie scene I wrote, I utilized the book "The Three Secular Plays of Sor Juana Inés de la Cruz: A Critical Study" by By Guillermo Schmidhuber. Most of the inspiration I gathered were focused between pages 70-75 and I did not quote any of it.
- Also to intricate the movie scene I created, I utilized the book "Feminist Perspectives on Sor Juana Ines de la Cruz" by stephanie Merrim since most of the inspiration I gathered were present in chapter 5 which was dedicated specifically in understanding "The `Womanscript` in the Theater of Sor Juana Ines de la Cruz". I did not quote any of it.
- I also utilized the book "Poems, Protest, and a Dream" published by Penguin Classic,written by Margarat Sayers Penden, and introduced by Ilan Stavans, as an inspiration since the pages 53-56 of the book discuss Sor Juana`s revolutionary actions which I utilized as a model to create my own movie scene. I did not quote any of it.
- I also took some background information about sor Juana`s personality amongst her sisters and her duties in convent from the webpage of the institutional educational organization of Oregon (oregonstate.edu) and from the book San Jerónimo En El Eje De La Polémica En Torno De La Carta Atenagórica De Sor Juana Inés De La Cruz. " translated and written by Fernando Riva. I did not quote any of it.
Endnotes for Poem
- In order to right my poem I utilized the book "Poems, Protest, and a Dream" published by Penguin Classic, written by Margarat Sayers Penden, and introduced by Ilan Stavans since pages 67-73 describes Sor Juana`s most common techniques of poetry. I did not quote any of it.
- I took some information of the book "Poesia Lirica and Sor Juana Ines de la Cruz" by Jose Carlos Gonzallez Boixo to write my own poem about Sor Juana Ines. I utilized mostly pages 21-15 and did not quote any of it.
- I took some inspiration in order to write my own poem from the book "Sor Juana`s Love Poems" written by Jaime Manrique and Joan Larkin. I utilized mostly pages 8-14 and did not quote any of it.
- I took some inspiration from the book "Sonetos" published by Ediciones La Biblioteca Digital in which a variety of sonnets written by Sor Juana can be easily found throughout the entire book. I read mostly sonnets from page 47-61 and did not quote any of it.
- In order to gather some inspiration about Sor Juana`s feminist ideas I portrayed in the Diary entry, I utilized the book "Feminist Perspectives on Sor Juana Ines de la Cruz" by stephanie Merrim. I utilized information mostly found on pages 35-46 and did not quote any of it.
- I also took some information from Sor Juana`s own piece of writting "La Respuesta" which was translated and made into a book by Electa Arenal and Amanda Powell. I utilized mostly pages 12-17 and did not quote any of it.
- I also took inspiration to write my diary entry from the book "Sor Juana Ines De La Cruz: Religion, Art & Feminism" by Carolyn M. Craft. and utilized mostly pages 33-46. I did not quote any of it.
- I took some information for my diary entry from a professional development collection written and published by Julie A. BokserI known "Sor Juana's Rhetoric Of Silence." I did not quote any of it.
- I took inspiration for my diary entry from the book "Festejo de Los Empenos de una Casa" written by James Augustin and I utilized only the introduction pages 3-6 of the book in order to gain more knowledge in Sor Juana. I did not quote any of it.